Someone writes asking for a gift suggestion for a writer. Really, I think what’s ideal involves the physical. For Brenda Uleland (If You Want to Write: A Book about Art, Independence and Spirit — a perfect book, and for giving, first published in 1938 and then again in 1987), it’s walking:
For me, a long five or six mile walk helps…If I do not walk one day, I seem to have on the next what Van Gogh calls “the meagerness.” …After a day or two of not walking, when I try to write I feel a little dull and irresolute. For a long time I thought that the dullness was just due to the asphyxiation of an indoor, sedentary life (which all people who do not move around a great deal in the open air suffer from, though they do not know it).
But I have come to learn otherwise. For when I walk grimly and calisthenically, just to get exercise and get it over with, to get my walk out of the way, then I find I have not re-charged with imagination. For the following day when I try to write there is more of the meagerness than if I had not walked at all.
But if when I walk I look at the sky or the lake or the tiny, infinitesimally delicate, bare, young trees, or wherever I want to look, and my neck and jaw are loose and I feel happy and say to myself with my imagination, “I am free,” and “There is nothing to hurry about,” I find then that thoughts begin to come to me in their quiet way.
My explanation of it is that when I walk in a carefree way, without straining to get to my destination, then I am living in the present. And it is only then that the creative power flourishes.
…If you would continue to be alone for a long time, amblingly swinging your legs for many miles and living in the present, then you will be rewarded: thoughts, good ideas, plots for novels, longings, decisions, revelations will come to you. I can absolutely prove that.
…In the days when I thought a walk was just exercise, the ideas did not come until the end. “It is only in walks that are a little too long, that one has any new ideas,” I find I wrote in my diary. I now understand this. It was because I was nearly home and so gave up the willing, the striving to get this calisthenic chore, the walk, out of the way.
At once I felt released, lazy and free. I suddenly lived in the present and not in my destination where I would be (dully enough) reading the newspaper or eating dinner. Suddenly I was seeing how pretty the winter evening was, how black the trees in the phosphorescent moonlight, how the stars are different colors, how egotism is fear and self-preservation, but how there is an egotism that is great and divine. In other words ideas came and even poetic feelings.
But you want to give the writer a tool of some sort, you say. (Don’t you remember how your mother looked when you gave her those dish towels for her birthday that year?) How about an IRIS pen? A portable USB scanner, great for the laptop. I like mine for endnotes, especially. Oh, and blog posts. You didn’t really think that I typed all Uleland’s words in now, did you? Note: I do not get any commission from the IRIS pen people, though I probably should by now.
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[...] The gifted (as in splendidly talented) Claire Zulkey sends readers via her MBToolBox blog here for tips on writers’ gifts. What about gifts writers can give? Poet Heather A. McMacken urges Invoke your creative powers this year and give a gift that’s meaningful — not some overpriced trinket you picked up at Somerset. Give a poem instead. Give one or three or 15. Yeah, you could knit a cute scarf or burn some fabulous music mixes … but it’s likely your loved one has never, in their entire life, had a poem written about them (not counting the high-school stuff, of course). [...]